I recently rewatched a movie from my youth that I had seen countless times on videodisc (RCA’s analog video equivalent to the LP) and also on cable. I hadn’t seen ARTHUR with Dudley Moore in over 20 years. Lately, many films from my youth do not stand up to the scrutiny or aesthetics of what I like to see today, whilst a precious few still hold up or even find much deeper meaning in my elder days. Arthur had deeper meanings and even a few great lessons for filmmakers.

I even named my cat from a line of dialogue from this movie “Can we name our first child Vladimir, boy or girl?

There are several major plot points that happen off screen. ** SPOILER ALERT ** When Sir John Gielgud’s Hobson dies; it occurs off screen and is probably more effective being that the audience filled in the blanks. It’s a rookie filmmaker mistake to always SHOW or SAY what’s happening. The audience deserves more credit for thinking.

Sadly, this movie has been remade with Russell Brand as the titular character and Helen Mirren as the butler. I don’t see how they can contextually make the scenes of blatant drunk driving and other aspects of alcoholism charming as they were 29 years ago, before becoming such serious and unfunny as they are today.

I can’t wait for this era of remakes and unoriginality to end. The cycle of bland, tasteless movies grates my eyes. I recently watched the 2007 UK movie (directed by Frank Oz though) dark comedy DEATH AT A FUNERAL, that was remade in less than 3 years. It was a wonderful and brilliant comedy and as suggested by Alex the Intern (May he rest in peace) as a great tonal comparison to what I want to do with Accidental Art.

Categories: blog

Peter John Ross

A filmmaker, a dreamer, and the world's only Dan Akroyd Cosplayer


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