Yesterday we went to the Cincinnati Oxford International Film Festival, both to do a story on the festival for FRAMELINE and also because ACCIDENTAL ART the short was playing. We arrived a little late and I thought we missed my little 5 minute movie. Instead it played much later in the set of short films. 

All of the movies I saw were of a surpassing quality of camera work. The prevalence of 35mm film adapters, DSLR, and the Red One camera are all raising the bar on indie film in a huge way. Digital Cinema is no longer hampered by the deep focus of DV and regular camcorders. Shallow Depth of Field and using that cinematic tool is now completely in play for under $1,000 cameras. It shows, people with no money are making incredible looking movies. The artistry and craft of cinematography has never been this energized.

ACCIDENTAL ART played pretty well. It hits where I wanted it to. The lines I thought were funny get a laugh and the tense moments make the room get thick. It’s working. I like being in a room with no lights and the sound booming from beyond the screen as we, as engage in the communal experience of watching a story unfold. I’m getting better at it, but I don’t think I’ll ever master this entirely. It’s a lifelong endeavor and I enjoy the pursuit.

We got an interview with one of the original creators of the festival. It started out at Miami University in Oxford Ohio 4 years ago and has since expanded into Cincinnati. There used to be a Cincinnati International Film Festival, and I attended the last one in 2003 where I had 11 movies play. These two festivals combining is a great chance for the good buzz to keep on percolating.

I did the Q&A after the block of short films. I love doing the Q&A with an audience. It’s the same pattern every time. You ask if anyone has any questions, no one EVER does. So you have to start talking about what you did and if you can find something interesting about your project or the making of it; inevitably someone will ask a question. I got about 8-9 good questions by rambling on about changing from the exterior location to the interior house which were 2 miles apart.

We’re trucking along on FRAMELINES. Doing more shooting than editing right now. I’ll get some more footage this weekend for the show. We’re snagging stories here and there throughout the state. I can’t wait for this thing to start airing. It’s gonna turn some heads and I’ll make some noise.

Peace out homies.

Categories: blog

Peter John Ross

A filmmaker, a dreamer, and the world's only Dan Akroyd Cosplayer


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