I just finished editing the near picture lock on one of the two shorts I produced. I think we need to do a pickup shoot for 2 shots. This was 100% an error on my part, if for no reason than NOT booking a scrip supervisor/continuity person. That job is an all important function, but I arrogantly thought we could go without for a simple 3 page shoot. Was I wrong on that count! Someone needed to remind us to shoot coverage of these 2 lines and we did not. No one check listed the shots with the script and now we’re desperately in need to cover this hole. I won’t be making this mistake again anytime soon.

Tomorrow I should have a picture lock on the other of the two shorts. When I say “picture lock” or the “edit”, that is NOT the end of the process.These are all pre-FX and pre-color correction, not to mention the full sound mix, sound design, scoring, and title phases that ensue. I’m taking my time on each step because it’s not only education, but I want these to be great, not just good. I’m keeping that bar raised for myself and those that work on them.

One of these two pieces will have an intense amount of CGI and graphics work. This will NOT be simple or fast. Working in 1920×1080 at 24 Frames Per Second doesn’t exactly speed up any part of the process either. I’m used to working with standard definition 720×480 graphics, and this full raster HD in a 4:2:2 color space has my computer wigging out a little. Luckily it’s only a 3.5 minute piece, but even then, almost every shot has a digital effect in it. Because of the rigors of post production, I wanted to finish this edit first, so that’s the one that is basically done. I can proceed with the FX since the 2 pickup shots are non-effects shots and it won’t affect anything I do with those. Needless to say this bugs my obsessive compulsive side.

I submitted UNCLE PETE and IN THE TRENCHES to a few film festivals this past week. I’ve taken too long a break from that kind of thing. Time to get back to it and getting the work seen again. Once these two pieces are finished, I’ll really increase their exposure, and not in the poser-wannabe way I see in my cheap imitators. I mean, I’m going to bust ass to get them seen in real places.

I’m even contemplating a summer film festival of shorts. The question is, should it be a COWTOWN FILM SERIES one off event or a LOOK AT MY SHORTS FILM FESTIVAL? I think COWTOWN. The level of excellence for COWTOWN is higher than the way the last screening of LOOK AT MY SHORTS was just kinda trashed. COWTOWN also had better sponsors and I intend to parlay that much bigger. I think I can get some TV ad time on Time Warner-WOW-Insight to really get some asses in seats. It takes months to properly promote and fund an event like this, so if I choose to do this, I’ll commit to dates and start working in less than a month. So I think COWTOWN represents a more professional era and I’ll leave the LOOK AT MY SHORTS to represent the amateurs and posers, of which I was definitely in those ranks then, but not now.

Work has slowed some. What a shock! At least it’s not at a standstill. My prediction? Once we get to the June-July period, people will realize the world didn’t end and start spending some of money they’ve stockpiled. Then some new jobs will open back up and the injuries will begin to heal, slowly but most likely.

I sold several DVD’s in the last few months unintentionally. I always do my duplication at work, and so I usually have some discs lying around. Sometimes commercial clients want to buy a DVD; sometimes it’s an editing class student wanting either the book or a DVD. So I’ve decided to make sure I always have a decent amount of product around. I dedicated a shelf of product at work, and have a box of various DVD’s in the trunk at all times too. You never know when you might want to sell or give a disc away. I run into people from HORRORS OF WAR in various places and want to give them their free copy of IN THE TRENCHES, so keeping some stock handy will save me on shipping.

That’s all for now my bitches. Are you a pretty hate machine?

– Peter John Ross
Chancellor of Rossdonia
A province of Rossdom

Categories: blog

Peter John Ross

A filmmaker, a dreamer, and the world's only Dan Akroyd Cosplayer


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