Slowly the wheels turn. Already got 1 rejection and 5 confirmations of playing one of the two TV series in various markets. No offense to the Population 17,000 market, but Pittsburgh picking up FRAMELINES represents a gain of about 300,000. Pittsburgh is also a much bigger film town. We’re weeks away from a premiere in Pennsylvania, and possibly CLIP FRAMES as well. I suspect that many of these packages I sent out for CLIP FRAMES and FRAMELINES will go unanswered, whether they play the shows or not. The shame is that if they play them, I have additional episodes and no way of knowing if they can use more of them. I have to assume rejection on the part of any no-responses. I will follow up in mid December to any with contact info.

I laid out two more episodes of CLIP FRAMES tonight. They are skeletons as I need about 10 minutes of material for each episode, but that puts me at 25 total episodes. I like to lay in new material as I have it, so so more FRAMELINES leftover content as well as Behind the Scenes from a few friends round out the shows. Since we have 2 more Roundtables to edit for FRAMELINES, that means I should have no trouble filling in these shows.

I’m formulating my plan on what projects to embark on in the interim before ACCIDENTAL ART, the feature film. I was planning on directing 2 more CELL PHONE MONOLOGUES, but it might be 3-4, depending on a few factors. A couple scripts started to cohere in a way I did not anticipate. I’m not much of a writer to be honest, so when something starts to work, I jump on it.

We’ll see what’s next soon enough.

Categories: blog

Peter John Ross

A filmmaker, a dreamer, and the world's only Dan Akroyd Cosplayer


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