As for the goings on in C-bus, we’re in pre-production on the Feb. shoot. I am just producing for an up and coming young female director. The first three months of 2009 are dedicated to the ladies as it were. I’m trying to help provide equipment, gear, post production facilities and networking to the oft overlooked female filmmaker of Central Ohio. We have a void where interesting women’s roles and stories should be. In March, I will direct a short for myself. It’s a legal drama thingy I’ve had in mind for a while. My dream cast is coming together, but I need a solid script first and that takes time. I am now a constant re-writer of this piece until I get it “right” if there is such a thing. Deadlines are helping to make things happen. April-June will be preparation for the next feature(s). I have a new business model I’m going to try out. I have a 2 year plan for my filmmaking. From my initial feelers to investors and money types, the proposal looks favorable. It doesn’t hurt to have a movie on shelves at Blockbuster ™.

Also in our local film scene, for those keeping score, it looks like the Columbus IndieClub is fading away. For the January meetings, the MOFA (Mid Ohio Filmmakers Association) meeting had 27-29 people on a night when there was a weather advisory for snow and temperatures below Zero. A week later, at the all important “town hall” meeting for the future of IndieClub when the weather was fine, about 15 people show up. It’s all very sad. Actions speak much louder than words, and I think it’s abundantly clear what people prefer. They don’t like IndieClub and they do like MOFA.

The two groups can co-exist, but it’s all in the leadership. I agree with some people which is that when the current “leader” steps down from IndieClub, they should let the group stay away for a few months, and let the aura of the current leader wear away before starting over again fresh and new.

I recall sending an email on Sept 25th 2006 to the leadership of IndieClub outlining ways in which they can market the group for free, including the calendar listings of the free papers, the community message board on public access, etc. I even suggested the movie theater they currently meet at as the location in the same email. Ironically, the “leader” brags about all these things being HIS accomplishments, but all I can think is how poor a leader is that can’t honestly give credit where credit is due.

Back to more positive news, I just received even more good news for UNCLE PETE’S PLAY TIME from George on the West Coast. First, I have a big thing about text messages. I don’t really like them. I’ve told George this. He stopped, but then one Sunday night he texted me. I was mad, until I read what he wrote. He said that the applause and laughter Uncle Pete’s PLAUSIBLE DENIABILITY just got will be worth the cost of this text message. George has been teaching at the Second City (again) and he was doing the Alumni shows. They wanted material to play between things and he generously (and fortuitously) offered Uncle Pete. Between the Improv Olympic (iO West) and now Second City, Uncle Pete has some good live exposure. Now George has brought additional news, but until I take the call on Monday or Tuesday, we’ll let the potential future of Uncle Pete on television remain somewhat vague. Suck on that haters.

Time to celebrate someone else’s birthday tonight.

Land of the Spooning Weasels

Categories: blog

Peter John Ross

A filmmaker, a dreamer, and the world's only Dan Akroyd Cosplayer


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